Various

nland Empire (Império Interior), or the last brushstroke in a triptych that gazed at the stars, sowed winds and, finally, sought the geographical limits of a country.
Going over the obvious lynchian reference, the last of Wasser Bassin‘s compendiums dedicated to experimental music produced in Portugal brings to light the electronic abstractions of Caranguejos; the irreverent drones of Ehxispê, creative alter-ego of Rodrigo Vieira; and from the banks of the Côa, instead of rock engravings, one can distinguish the Warpian nostalgia of Folclore Impressionista, a trio of veteran collectors of sounds and landscapes, comprised of João Paulo Daniel, Sérgio Silva and António Caramelo.