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Horace Andy
Dance Hall Style
๐๐๐ง๐ค๐ช๐๐๐ค๐ช๐ฉ ๐ฉ๐๐ ๐๐ก๐ก๐ช๐จ๐ฉ๐ง๐๐ค๐ช๐จ ๐จ๐๐ซ๐๐ง๐๐ก-๐๐๐๐๐๐ ๐ง๐๐๐ค๐ง๐๐๐ฃ๐ ๐๐๐ง๐๐๐ง ๐ค๐ ๐๐ค๐ง๐๐๐ ๐ผ๐ฃ๐๐ฎ, ๐ฌ๐๐ฉ๐ ๐๐ฉ๐จ ๐๐ฃ๐ฃ๐ช๐ข๐๐ง๐๐๐ก๐ ๐๐๐๐๐จ, ๐๐๐จ ๐ช๐ฃ๐ข๐๐จ๐ฉ๐๐ ๐๐๐ก๐ ๐๐๐ก๐จ๐๐ฉ๐ฉ๐ค ๐๐๐จ ๐ก๐๐ฉ ๐ช๐ฅ ๐๐ช๐จ๐ฉ ๐ฉ๐๐ง๐๐ ๐๐ก๐๐ช๐ข๐จ ๐ค๐ ๐๐ฃ๐๐๐จ๐ฅ๐ช๐ฉ๐๐๐ก๐ ๐๐ง๐๐๐ฉ๐ฃ๐๐จ๐จ.
Recorded at the tail end of the seventies, dance hall style reworks songs like "Money Money", first recorded by Bunny Lee and Derek Harriott's "Lonely woman" - alongside a version of Lloyd Robinson's "Cuss cuss" - and births bona fide classics like "Spying glass" (later covered by Massive Attack).
The musicians include Wackies regulars, men like Owen Stewart and Oral Cooke from Itopia, Ras Menilik and Jah T.; also Horace's multi-instrumentalist spar Myrie dread from the hungry town sessions. At the desk, Lloyd Barnes, Junior Delahaye and Douglas Levy coax unequalled vocal performances from Horace Andy, in correct showcase fashion, all worthwhile extended mixes.
Iconic album, essential purchase.
A1
Money Money
A2
Lonely Woman
A3
Cuss Cuss
B1
Stop The Fuss
B2
Spying Glass
B3
Lets Live In Love




