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Jazz-not-Jazz with different contemporary electronic types, from hip hop to house, tangents to tropical cadences and, above all, an orchestral sophistication that constantly tries to translate the new. In fact, what Mazarin does – it could be argued – doesn’t yet have a name.
In addition to the band’s contributions, there are a number of important collaborations on this album: Gil DionΓsio and SOLUNA cross paths in “Deuses e Tolos”, a piece that seems to carry echoes of an era when all the music that mattered was intervention music, Rodrigo BrandΓ£o signs a heartfelt tribute to the late jamie branch in “R.B. – j. b.”, Sara Badalo – definitely one of the best kept secrets on the national scene – appears in “Colours” and, finally, the inventive accordion of JoΓ£o Frade, one of the exponents of the instrument in our country, is heard in “CaΓ§adores”.